Record of the Week #4: Manfred Mann's Earth Band



Just listen to the ringing of Mick Roger's guitar on 'Jump Sturdy' and you will be hooked. This followed by Mann's jazzy piano solo  that ends the song - that's what it took for me. This following a heavy, psych influenced first side. This 1972 record, Manfred Mann's Earth Band, is all about the 'sound' - the sound of the rhythm section underneath Roger's guitar, the sound of Mann's Moog, the call and response of Mann's vocals and Roger's riffs. Side 1, track 5. You can start there, too. Drop the needle, turn up the volume and close your eyes. It's all there. It is all there.

Why doesn't anyone know about this record?

As you can tell, I am really enjoying listening to this. First heard it last week at dinner - see planning your next dinner party - and wanted to hear it some more. Of course it turns out that Robert Christgau loves this record too, giving it an A+ in his poll, here is what he says about the record:

"Manfred Mann's Earth Band [Polydor, 1972]
Mann has always embraced rock and roll's art-commerce dichotomy with uncommon passion--he used to rave on about jazz to the fanmags in the "Doo Wah Diddy Diddy" days. This extraordinary cult record achieves the synthesis. Almost every song is defined by a hook that repeats over and over--the phrase "down on my knees" in "Please Mrs. Henry," the galvanizing guitar riff that runs through the almost-hit "Living Without You." But the doo-wah-diddy is continually threatened by an undercurrent of jazzy disintegration--the Cecil Taylor piano jangles that close "Jump Sturdy" or the discords that dominate the closing instrumental. The deliberately characterless vocal ensembles and square rhythms defy today's pseudo-soul norm, and Mann's songs--especially the brilliant "Part Time Man," about not getting a job after World War III--are indecisive and a little down. In short, the perfect corrective to the willful brightness of boogie optimism. A+"

Find it on record or - blasphemy - even on CD, if you can. I'm not sure its ever been released on CD. Definitely worth getting into, like many of Mann's records.

Oh, and it has a fantastic architectonic album cover. See above: beautiful 1970s lettering,the  candy colored tubular alphabet overlaid onto a gritty, black and white urban perspective with the band, obscure silhouettes only, in the shadows at the center of it all. Oooh.


 

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